Between Screen and Paper
My work often begins on a screen but rarely ends there. I am interested in the point where digital systems, photography and physical production meet, and in how an idea changes as it moves between them.
I work across graphic production, digital design and photography. These fields are often presented as separate disciplines, but in practice they constantly affect one another.
A digital interface determines how a story is discovered and understood. Photography gives that story a place, a rhythm and a sense of observation. Print introduces scale, material, texture and permanence.
The most interesting projects are therefore not only websites, publications or photographs. They are systems that allow content to move between formats while keeping a clear identity.
This is the principle behind much of my work. I design structures that make complex information easier to use. I photograph places with attention to atmosphere, detail and everyday life. I develop editorial formats that can exist both online and on paper.
The process is rarely linear. A print limitation may improve a digital layout. A photographic sequence may define the structure of a page. A production detail may become part of the visual language.
I do not see screen and paper as opposing formats. They are different parts of the same story, each with its own strengths. My role is often to understand how those parts can work together.